原书作者自己对那个岛的解释：

The island, ah, the island. The most frequently asked question: What does the island mean? It means what you choose to see in it. My narrative strategy in writing this book was to write a story that was progressively harder to believe. Will you believe that a boy could survive with a tiger? Yes? Good. Will you believe that the boy could go blind, the tiger could go blind and they could meet another blind man in another lifeboat in the middle of the Pacific? Yes? Great. Now will you believe in this crazy carnivorous island? I figure most readers will not believe it. Their suspension of disbelief will break down and readers will start making excuses for Pi: He's starving and hallucinating. In other words, reason will kick in. That's fine with me. But I hope that when readers get to Part Three of the novel and read the other story, the one without animals, that their revulsion at that story will be such that they, like the investigators, will choose the first story as the BETTER story. But I wanted that better story to have something unbelievable about it. I wanted it to get beyond the reasonable and the plausible. BECAUSE every great thing in life — be it religion, love, any ideal — has an element of the unreasonable to it. We are not computers. We need the pull of the unreasonable to get us through life. The island represents that unreasonable element in the first story.

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她妈尸体不是早被厨子喂鲨鱼了么？一尸体放那么多天，早就烂了好吧，想吃你也吃不了啊

吃厨子的尸体呗