引用:
原帖由 king8910213 于 2017-12-21 18:14 发表
posted by wap, platform: Android
感觉Amy这人需要一个可靠的游戏指导配合她做游戏，她自己只擅长给游戏写故事做演出叙事方面的东西，但如果没有人帮她给gameplay方面的东西拍板的话她自己就带不动项目了，神海2的时 ...
I'm going to go off on a tangent, but for Uncharted 4, because the game got rebooted part way through production, we had very little time to do... we basically made a 3 year project in 2 years, and one of the things the designers were really playing with is wanting to add more depth to climbing. So we had all these climbing mechanics, with a stamina meter so you can only hold onto ledges for so long, which meant the climbing sequences became a lot more engaging. It gave much more agency to the player and strategy and they had tension to them. So designers were building these levels and creating these pretty long and elaborate climbing sequences, and as we were testing combat, all of a sudden all these systems were fighting the fluidity we had in all the previous Uncharted's, because now you have all these complexities of how you climb. All of a sudden you don't want to climb anymore and combat became very flat.
So we were like okay, what is the game we are ultimately making and we said the gameplay genre is really a third-person shooter, more than anything. Yeah it's an adventure and there's all the other aspects to it, but the core systems are that, therefore that has to win. So the climbing has to be simple because it's there to support the shooting. So we had to remove a lot of those systems, but because we were out of time, those long climbing sequences just had to stay, we actually didn't have time to shorten the level. One of the criticisms we had for Uncharted 4 for pacing is like, ah man you have these really long climbing sequences and they're so simple, why didn't you think about cutting them shorter and why did you make these really long and it's like, that's just the reality of production. Sometimes you don't have the time to make the, well, you never have time to make the perfect game. There's always these compromises between the realities of production and this creative vision that you had.
，起码游戏节奏又加快了原帖由 @Nemo_theCaptain 于 2017-12-21 17:53 发表
新浪那个只是翻译自PSU网站对原书的节选
Jason Schreier这个人挺大度的，对于网站的转载书中内容不在乎，但他希望转载的时候能转的全面一些，而不是断章取义
实际上不存在严格意义上“Amy版神海4”这个说法
因为Amy时代的神海4一直在搞实验，没有看准一个方向专注下去，所以Amy自己也不知道他心中的神海4究竟是什么样的
也就是说，Amy被开的原因不是其他人跟她的方向有分歧，而是她根本就没有明确方向
后来Jason Schreier揭露了Amy去EA之后的“神海版星战”的失败原因，这次Amy又犯了类似的问题
原帖由 king8910213 于 2017-12-21 18:14 发表
posted by wap, platform: Android
感觉Amy这人需要一个可靠的游戏指导配合她做游戏，她自己只擅长给游戏写故事做演出叙事方面的东西，但如果没有人帮她给gameplay方面的东西拍板的话她自己就带不动项目了，神海2的时 ...
原帖由 @rhotov 于 2017-12-21 10:54 发表
神海4起码没有用醒目黄色标出来哪里能爬，比地平线好。
地平线那个太无脑了，就连大跳都不需要QTE的，出了手势就代表此处有大跳，无脑按跳100%成功
原帖由 king8910213 于 2018-12-3 13:45 发表
posted by wap, platform: Android
看到Jaffe对神海4的看法，感觉可以把这个帖子提一下了，Neil的团队并不是完全忽视gameplay创意设计，TLOUP2的E3演示就能看出来，但3A开发就是3A开发，在deadline面前的执行力也是必 ...
原帖由 hideo13 于 2018-12-3 18:36 发表
战神初代的制作人是谁（还是像新战神那样一堆制作人），能管好David Jaffe？
原帖由 naughtyben 于 2018-12-4 04:42 发表
posted by wap, platform: iPhone
神海古墓这种迟早重启，换代主机画面提升就已经是重启最好的理由
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