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前两天看《到灯塔去》的时候，发的感慨。

"The place was gone to rack and ruin. Only the Lighthouse beam entered the rooms for a moment, sent its sudden stare over bed and wall in the darkness of winter, looked with equanimity at the thistle and the swallow, the rat and the straw. Nothing now withstood them. Let the wind blow; let the poppy seed itself and the carnation mate with the cabbage. Let the swallow build in the drawing-room, and the thistle thrust aside the tiles, and the butterfly sun itself on the faded chintz of the armchairs. Let the broken glass and the china lie out on the lawn and be tangled over with grass and wild berries."

付出的时间都不会被辜负。这样的文字能在我脑海中形成影像，靠的是我曾经玩过的一些游戏，比如说顽皮狗小组（Nauty Dog）制作的《美国末日》（The Last of US）和《神秘海域4》（Uncharted 4）。以前都说“顽皮狗”的美工是业界最强，我对这种说法的理解也仅仅局限于他们在虚拟世界中对于真实“美学地”（authentically）再现的功力上，今天发现这种再现的能力在某种程度上实际上是一种“文学的”（literary）能力，我猜“顽皮狗”的美工一定也读过伍尔芙——是啊，艺术是一个整体。

这logo我设计都比他强百倍